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3D frame grab from video converged on the music stand using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
3D frame grab from video converged on the front of the table using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
3D frame grab from video converged on the butternut squash on the table using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
3D frame grab from video converged on the back wall using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
3D frame grab from video converged on the music stand using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
3D frame grab from video converged on the music stand using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
3D frame grab from video converged on the music stand using Dashwood Stereo3D Toolkit v2 in Final Cut Pro. Equipment: Two Sony CX550V camcorders in parallel (no toe-in convergence) with 0.75x wide-angle adapters attached. Approx 67mm stereo base (inter-ocular distance).
See photo in original gallery.
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